| Wagon Train Threeway
Josh notices a small yellow flower next to the rock. He sits on a bolder and looks up toward the blue sky. “Why did I wonder away from the wagon train?” Josh knows he is lost. Always being the shy and timid sort, he guesses not even his own pa will miss him. They would be back on the trail toward New York by now. Josh wonders what death will be like. He guesses his will be slow and painful. Josh stands and begins walking along a rock path. He has walked maybe 2 miles when he finds himself standing on a cliff. The wagon train is parked beneath the cliff. “They haven’t gone far. Josh wonders how he is going to climb down the steep, rocky incline. Slowly, carefully he begins his descent. A young woman, Melinda notices the handsome Josh making his way down the mountain. She wonders why she had not noticed him before. “He is so brave.” Another young woman walks up. “Who is that?” “Josh Beck.” Sally puts her arm over the shoulder of Melinda. She whispers in her ear. “I wonder if knows how to fuck.” Melinda pushes Sally away. “You are awful.” Josh finishes his climb down. He stares across a small pond at the young women watching him. He smiles. He then strips off his clothes. Buck naked, Josh dives into the pond to cool off. Sally giggles, “He is hung like a horse and not ashamed to show it. And I’ve been thinking him shy.” Melinda begins taking off her clothes. “What are you doing?” “I am going for a swim.” Totally naked Melinda winks at Sally and dives in. Sally quickly takes off her clothes and follows. Together they swim up to Josh. Without saying anything Melinda grabs hold of Josh and plants her mouth on his. Josh thinks kissing Melinda is the best thing since apple pie. Sally says, “What were doing up on the cliff?” Josh attempts to catch his breath from the kiss. Then he says, “I got lost. I thought for sure ya’ll were long gone. Can’t believe the wagon train hasn’t gone much more than 2 or 3 miles in a day’s time. But guess that is a good thing.” With her hand beneath the water, Melinda begins playing with Josh’s cock. Josh isn’t sure what to do, but his cock has a mind of its own as it gets hard. Sally goes behind Josh and begins giving his broad shoulders a massage. She works her hands down his back. Melinda continues pulling on Josh’s cock and Sally’s hand works its way to between his legs. She plays with his balls and she kisses Josh on the back of the neck. Melinda again kisses Josh on the mouth and Josh moves to thrust his cock deep inside her. Sally pushes her pussy against Josh’s hips as Josh thrust and rotates his cock inside of Melinda. Then Sally splashes away from Josh and Melinda also swims away. Sally motions for them to follow her. They climb out of the pond and walk to behind some boulders where there is tall grass. Melinda gets down on all fours and tells Josh to fuck her doggy style. Josh gets down on all fours behind Melinda and slowly eases his cock inside her. He kisses the back of her neck as he begins to slowly rub his cock back and forth inside of her. Sally moves to put her pussy at Josh’s mouth. Sally softly moans as Josh puts his mouth where Sally wants it. He begins to work his tongue. As in one voice Melinda and Sally moan, “Oh yeah.” The next morning Josh stumbles to the chow wagon from where he’d finished the night sleeping with his father. Melinda and Sally crawl from the wagon where they are traveling with Sister Mary. Josh sits down and the wagon master sits down next to him. Melinda and Sally get their breakfast from the chow wagon and return to sit with Sister Mary at their wagon. The wagon master looks across at Melinda and Sally and then he looks at Josh. Josh’s father sits down on the other side of Josh. “Where were you most of the night?” “I got lost and left behind. To catch up I had to climb down the cliff.” “Lost. I swear. You were off day dreaming. That is what you were doing. That is all you do. How do you think you are going to find yourself a wife if you don‘t get your head out of the clouds?” “Wife?” The wagon master smiles. The woman sitting on the other side of the wagon master looks at Josh. “Women don’t like shy men. You need to talk more.” Josh stands and walks over to sit with Melinda and Sally. His father tells the wagon master, “I don’t know what I am going to do with that boy.” “That boy is man and he is doing just fine. As far as talking more, words are not a measure of man. Men like Josh can say more with a look than a thousand words.” “What do you know about my son?” “I know he was fucking two women last night and you weren’t.”
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The Complete Idiot's Guide to Writing Erotic Romance (Complete Idiot's Guide
to) (Paperback)
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;The
Complete Idiot's Guide to Writing Erotic Romance (Complete Idiot's Guide to)
(Paperback)
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Product Description
The basic rules for turning basic instincts into blockbuster success.
Erotic romance reigns supreme as a big category of women’s fiction—a billion dollar business serviced by a new breed of uninhibited writer. This book is the necessary how-to for first timers and a terrific guide for seasoned professionals as well, who are putting their racy—and lucrative—fantasies to paper. Now, for the first time, a veteran erotic romance author shows exactly what to do—and how.
• The first book to guide writers to succeed in this multi-million dollar
genre
• Explores how to set up a plot and write good, steamy sex scenes
• From a best-selling experienced author
• Includes resource section for research tools and further reading
• Interviews with top editors in the field
• Foreword by Kate Duffy, editorial director at Kensington Publishing and
founding editor of the genre
Paperback: 336 pages
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;Write
Great Fiction - Dialogue (Write Great Fiction) (Paperback)
;
How do some writers craft conversation so authentic, it feels like they've
been eavesdropping? What's the secret behind getting characters to talk to each
other? How can writers make their dialogue sing?
Answers to all of these questions and more can be found in Gloria Kempton's
in-depth look at this crucial component of fiction. Readers will learn how to
create dialogue that sizzles, with tips on:
* Creating dialogue for specific genres
* Bringing characters to life with revealing dialogue
* Identifying and fixing common dialogue problems
Each chapter features numerous examples of successful dialogue drawn from bestselling novels, and chapter-ending exercises help readers apply the lessons learned. This is one book that will get readers talking!
Paperback: 240 pages
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;The
Romance Writer's Handbook: How to Write Romantic Fiction & Get it Published
(Paperback)
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Would you like some friendly help getting started writing some of America’s most popular fiction? Author Rebecca Vinyard has put together a collection of folksy wisdom for aspiring romance writers to help them get published.
Romance fiction makes up more than half of all mass-market novels sold, with over 2,000 new titles released each and every year. And unlike other fields of fiction, romance truly welcomes new writers, as editors search through queries and conference appointments for the next Nora Roberts or Barbara Delinsky. In 49 chapters, The Romance Writer’s Handbook takes aspiring writers through a quick course in writing romantic fiction for today’s markets. Here is "from-the-ground-up" advice on how to begin to climb romance writing’s ladder of success..
The short, readable chapters in The Romance Writer’s Handbook provide practical information to help improve any writer’s stories. They offer advice on creating new but familiar heroes and heroines; crafting scenes, places and plot complications; and tackling thorny issues that range from point-of-view conundrums to steamy love scenes.
The Romance Writer’s Handbook is the helping hand every author needs to get going and write romance stories that satisfy and sell.
It includes:
• Info on the business side (setting goals, finding an agent, formatting
manuscripts, submitting winning query letters, and more).
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• A paragraph-by-paragraph study of a well-written synopsis (essential
to catching an agent’s or editor’s eye).
• Valuable advice on creating an author website.
• Short interviews with bestselling authors Lorraine Heath, Susan Elizabeth
Phillips, Connie Flynn, Katherine Sutcliffe, Judy Christenberry, and Suzanne
Brockmann.
• Market information on mainstream publishers active in the romance field.
• A useful list of small presses and e-publishers.
Paperback: 288 pages
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;Novelists
Essential Guide to Crafting Scenes (Novelists Essentials) (Paperback)
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Reviewer:
It is difficult to imagine a more helpful and concise book for writers than Obstfeld's "The Novelist's Essential Guide to Crafting Scenes". As part of a series from Writers's Digest, this book covers the critical component of any novel: writing encounters, chapters, and scenes that have the ability to grip the reader and keep them turning pages.
Though the book is trade paper sized and only 211 pages, it is simply jammed with helpful ideas. Each chapter covers an essential aspect of writing scenes expertly. There is information on:
* Beginning a Scene
* Length
* Point of View
* Setting
* Ending a Scene
* Character, Plot, & Theme Development
* Writing the Payoff
* Character Meetings
* Finales
* Structure
* Revising
Plus there are chapters that discuss how to write genre-specific scenes (sci-fi, romance, etc.) that are also compelling.
A typical chapter within the book starts with quotes from others on the art of writing. Obstfeld then lays out general concepts and cites examples from novels and movies that support his chapter topic. Excerpts from several award-winning novels raises the quality of the book as it lets beginning writers see how the "pros" do it. Some chapters include workbook-like assignments to help readers flesh out their scenes.
While all the chapters are developed well, the one covering character, plot, and theme development is particularly enlightening. The author elects to write an encounter scene with an emphasis on each aspect. It is amazing to see how a scene can change as it is written to the characters rather than plot and vice versa.
Obstfeld has taught writing professionally in addition to having published more than two dozen novels and it shows in his style. He can quickly and directly address a topic and elucidate it easily. As a result, writers of all varieties and levels of talent can benefit from "Crafting Scenes".